Kiki Omerzel

Formless painting. An act of exploring physical movement through the spiritual and the internalized. Formlæssence is a dance that comes from one’s inner self. It is based on the fact that every single person moves in a unique and unrepeatable way. Paintings made while dancing are picture of inner energy puted on canvas.

Formlæssence poses no limitations so it can be close to energy.

Dance transcends the boundaries of material perception, because it has to do with energy. Experiencing music. Complete surrender to the energy created by music. By mastering formlæssence one obtains the ability of completely devoting oneself to the energy of music and become one with it. This is a moment when it is rendered impossible to distinguish where the music stops and the dancing begins. It is an imitation of life – the perpetual interaction between energy and matter. It is a passion that becomes alight when we start to burn like the flame of life.

Formlæssence dancing is the conscious surrender to the music. Tones become one with movement. Movment with colors. When the latter fills the void between the cells and turns the matter into movement, the dancer and the music merge into one. They become indistinguishable. The dancer becomes the music and the music becomes the dancer. Painter become a painting and the paintin the painter. The art is a game that knows no boundaries.

The experience and sensation of creating deepen. One can ascend to a higher level of consciousness of their bodies and expression through art that transcends the confines of concepts, ideas and the current state of mind, but is, owing to its primariness and energy power, closest to the kind of art that derives from the beginnings of human creativity when art constituted one of the basic manners of transferring important pieces of information that could not be conveyed verbally. They could, however, be conveyed through dancing, painting,... It is precisely this feature that brings formlæssence the closest to the expression through symbols and painting as a primary form of information transfer.

The story that is thus being made is not a story that comes from the mind, but from beyond it. From a conscious reality, free of mental blockages and prejudice. Painting is no longer subjective and subjected to one thousand interpretations. The dance is objective, primal, and the dancers always convey the same message – the essence of life.