In my work I focus on the joy of life and living, which is a shock in itself in the times when people speak and think mostly about the crisis.
diary of my diaries
9 October 1985 I started to write diary. I'm writing those things that are important to me at that moment: thoughts, dreams, events, plans.
10 July 1997- I started to draw with ink, Diary 10 July 1997 - . I am drawing them at the events of big significance to me. I am trying to capture the state of my body and mind.
1997/ 1998 made 16 paintings of Purusha, the identity of things is wrapped in an maskarade of thoughts, memories, asosiations and perceptions. With repeating all this has became our identity, automatic part of our visual field.
15 Jan. - 13 Feb. 1998 Letters to my professor - 28 lettes (every day one letter) to Joze Barsi, my profesor. I copyed my old letters, extracts from diaries, quotations.
16 April 1998 One month diary/collage Diary of one love. One sheet a day, as long as it last.
19 June 1998 I started with a photodiary Good morning Kiki. I am taking a snap every morning. I am doing it by chance (snapshots), but at the same time I am writing an exact diary of fotographing: date, time and place, exposure and blend.
1998/1999 Memory in Time is a series based on the one single motive - bed and presents five different approaches to this fascinating object and its function and deeper meaning in our lives.
13 April 2001 Relashionships, the diary of relashionships with nine men. They make one photo of me per year. Photo-game.
23 Oct. till 23 Nov. 2001 Morning, one month simultanius diary with a poet Andraz Polic.
2003 Curiosity kill the cat, Curiosity is usual cat characteristic and to have nine lives is the only way to survive.
13 April 2003 Relashionships, The diary of relashionships with nine women. They make one photo of me per year. Photo-game.
2006 Good night stories
2008/2009 painted new seria Kundabufer The story that is thus being made is not a story that comes from the mind, but from beyond it. From a conscious reality, free of mental blockages and prejudice. Painting is no longer subjective and subjected to one thousand interpretations it is objective, primal and always convey the same message – the essence of life.
2008 I love you Mona Lisa.
